LO3 Final 5 Shots from Photoshoot #1

I feel as though this photograph was very successful due to the models facial expressions and the prop used in the photograph. I instructed my model to use the space expressively, to connote being trapped by the confined space and to gesture that she is protecting the rose. I took a few photographs in this confined space, this was the most successful at connoting  my theme and message, the other photographs were either out of focus or didn't properly capture the message.

I made the model sign a permission slip so she could be photographed in this shoot; but the background and the space in the photograph is a public area therefore it doesn't require any permissions. I controlled composition by positioning myself to get the right angle and to make sure the photograph looked trapping and confining, I also controlled the composition by instructing my model where and how to stand.

The only prop that is used in this photograph was the rose; this was an essential element towards connoting the main theme and message of the photograph. The rose in this photograph connotes the preservation of nature in an ever-changing industrial climate. In editing I may edit the photograph so that everything is black and white apart from the rose, making the rose the centre of interest and creating contrast, the rose will be the only colourful thing in the photograph. This will also add an element of repressed emotions and further the narrative in the photograph.

I was able to control the camera settings fairly well, as this was one of the first photographs taken in the shoot I was still adjusting the settings for the shoot. The specific camera settings in this shot was; a focal length of 27.0 mm and an aperture value of f/4.

It was rather difficult to control the reflections in this shot as the photograph was taken in a telephone box, there are glass panels all around; lighting was blocked out by the box and therefore that wasn't an issue. Depth of field wasn't relevant in this photograph, the photograph was in full focus, because of editing I can make the background out of focus and therefore put focus onto the model and the prop being the rose. I didn't use any camera based filters such as sepia or monochrome.

In terms of the photo elements present in this photograph there are; narrative, composition, centre of interest, framing and colour and monochrome (because in editing most of the photograph will be edited to be black and white.) The narrative element is presented through the use of the rose, composition and framing are through the use of the telephone box and centre of interest is through the use of the model and the prop creating contrast and depth.

I think this photograph as a whole was rather successful, it shows the main narrative and theme of my idea, and it contains a variety of photographic elements. If I had to take the same photograph again, but differently I would make sure that the outer lining of the telephone box lines up with the corners of the photograph ensuring that framing was a photograph element of this photograph. I would also try and removing reflections from the image by making sure the background was out of focus.

This photograph was rather successful, because of the narrative and emotion behind this piece. In this shoot I specifically made sure the model was far away and wanted her to seem small and insignificant symbolising the deprivation of nature. In this photograph the model isn't exactly surrounded by buildings but this photograph was taken in the heart of Sheffield town centre.

I instructed my model to use the space creatively, I instructed her to look scared and deprived as well as trying to preserve the nature/rose. I feel this made the photograph more successful and was helpful in trying to connote the theme and message.

I didn't need permission for the space because it is a public space and therefore isn't owned by any private businesses or corporations. But I did gain permission for the model in this photograph by getting her to sign a consent form.

Controlling the composition of this piece was key in the success, I wanted the outer lines of the seating area to match the edges of the path in another photoshoot. This photograph will be editing and will be part of the double exposure series. It was very important for the edges of the seating area to be in the edges of the photograph, therefore ensuring a fit. Another key element of the composition was the model being roughly in the centre, therefore being the centre of interest. I was able to achieve this slightly raised angle by standing up on the steps and zooming in.

The only prop used in this photoshoot was the rose, even though it isn't very visible in this photograph, it still connotes the theme and message of my photography very clearly and successfully. The rose was effective at communicating the meaning and the narrative, being the nature is being deprived due to civilisation.

The camera settings for this shoot were; a focal length of 51.0 mm and an aperture value of f/5.7.

In terms of the photographic elements used in this photograph; composition, centre of interest, view point, framing, leading lines and narrative. Composition and centre of interest were the main photographic elements of this piece, composition was the most important; framing was also essential due to the idea of double exposure and the framing lining up with that of the path. Narrative was also an important aspect of the photograph, being that yet again the model is trying to protect and preserve nature but the insignificance of the model develops the narrative further.

If I were to take this photograph again and improve it, I would start by making sure there are no passing by people to ruin the shot. I chose this shot because it was the most successful out of all the ones I took in this area even though the passing by people were in the shot.

I feel like even though this photograph doesn't have as much depth or detail behind it, the narrative behind this photograph is very strong and helps to further develop the message it connotes.

In terms of how I instructed my model to use the space, I told her to stand in that position and stay like that as I went around her photographing her from all different angles and seeing which angles and viewpoint was the best.

I gained permissions from the model by getting her to sign a consent form, but the place in which I took the photograph was a public place and therefore I didn't need permission to shoot there.

In terms of composition and controlling it, I just made sure that the models legs were always at the centre of the image and the rose was always visible; meaning that I made sure that I didn't take any photographs were the legs would obscure the view of the rose as it is an essential part of the shot. I also wanted to make sure that the pavement was running across and a vital part of the photograph, this creates more visual interest.

The only prop I used in this photograph was the rose, this is a vital prop used throughout this shoot; it used to connote and further develop the narrative. In this specific photograph the rose was meant to look abandonded and deprived, not protected and nurtured. I feel that works really well and works in terms of developing the narrative.

The camera settings of this photograph were adjusted to improve the success of the piece. The specific settings of the photographs were; a focal length of 55.0 mm and an aperture value of f/5.7; the aperture throughout this shoot remains at around f/4 or f/5.

Even though I didn't adjust the depth of field when actually taking the photograph, I would like when I'm editing to make sure the background of this piece is out of focus and therefore making the model nd props the centre of interest and in focus, putting emphasis on the key elements.

A variety of photographic elements were used in this piece including; narrative, composition, centre of interest and viewpoints. The narrative element was developed by the use of the prop being the rose; composition and centre of interesting being also vital to the success of the shot. Viewpoint being another vital aspect of the shot, the angle or viewpoint was the basis of the photograph.

I feel as though this photograph was very successful and I wouldn't change anything if I were to take this shot again, it would be the same shot, I may adjust how much light enters the camera and see what looks best, but I planned this shot in my recce and its exactly what I wanted.

I feel this photograph is very successful in terms of  the narrative I was trying to connote, I feel as though this presents a very powerful message. I feel as though the model interacts with the tree really well.

I instructed my model to use the space creatively and interact with the tree to create an interest composition and create visual interest. I told the model to stand below the tree whilst holding the rose, staring up at the tree, this creates a connection between the model and the tree.

I didn't have to get permission for the background of the photograph, the location in which I took the photograph is a public place and therefore I don't have to get permission to photograph it. The model has signed a release form for all the photographs I have took of her, and therefore I have permission off the model.

The only prop used in this photograph was the rose and that was to further the narrative and the message presented in the photograph. I feel as though it helps build the connection between the model and the tree. In this specific photograph the rose was there to look protected and out of harms way both protected by the model and the tree. The rose represents the fact that nature has been tarnished, the tree represents that nature is still powerful and strong.

The camera settings for this specific photograph were tailored to making this photograph are as successful as possible. The camera settings were; a focal length of 55.0 mm and a aperture value of f/5.7.

There are many different photographic elements in this specific photograph including; composition, view points, textures and narrative. I feel as though composition is a vital element to every photograph and has to be thought through to create the most interesting composition possible. The view point of this point was important in capturing the size of the tree compared to the model. I feel as though capturing the texture of the tree was very effective in showing depth contrast between the rest of the photograph, it adds visual interest. The narrative is also a vital element of my project, showing the link between the nature and civilisation.

 I think in terms of how I want to edit this photograph, I would like to make it monochrome, I think it would add more emotional depth and further the narrative.


In this photograph I took a close up of my models face to re-create a photograph presented previously in the project because of how successful I thought it was. I feel as though it wasn't as successful as the first photograph taken, but still will create the same effect.

I controlled the composition by making sure the models face was the only thing in the frame along with the furry hood. This allows you to clearly see the facial features and see the emotion presented in the photograph.

The camera settings were adjusted specifically for this photograph to create the most successful photograph, with camera settings of; a focal length of 33.0 mm and an aperture value of f/4.4.

Some of the photographic elements used in this photograph are; composition, narrative, texture and centre of interest. Composition was vital for this piece, as it furthers the emotions and details shown, how everything is set out helps to connect with the other image that will be added using double exposure, adding visual interest. The texture shown in the hood will be combined with that of the soil in the other photograph, this creates visual interest and makes the photograph more interesting.

I feel as though this photograph was successful in re-creating the photograph shown previously, but it isn't up to the same standard as the other; but once the two photographs are combined using double exposure, these subtle little discrepancies wont matter. If I were to take this photograph again, I would make sure it is more focused so it would capture more of the details and capture more of the texture of the hood.